Kapulani Landgraf is an exhibiting artist whose work is grounded in black and white photography and spans a variety of mediums, from 2-dimensional representations to sculpture and installation.
Building from a renowned lineage of musicians with unique guitar tunings, including his father Gabby Pahinui, slack-key master Cyril Pahinui has developed a distinctive style that is instantly recognizable and imparts an intimate picture of his island home. His soulful baritone voice brings a deeply personal emotion to everything he sings.
Andrew Okpeaha MacLean is a film director and screenwriter creating works in international filmmaking arenas. His films are set in his homeland, shot on location in Barrow, Alaska, starring Iñupiat people. They are among the first feature films produced in the Iñupiaq language.
In its nearly 15 year history, First Peoples Fund (FPF) has supported 100’s of artists through business leadership and cultural capital fellowship programs. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies program.
The Clatsop Community College hosted an exhibit curated by artist Lillian Pitt (Warm Springs, Wasco, Yakama) and instructor Richard Rowland (Native Hawaiian). The exhibit brought a select group of eight Native artists from the Pacific Rim featuring “neo-traditional” works and a related series of events.
Crow’s Shadow Institute of the Arts is a nonprofit organization focused on providing opportunities for Native Americans through artistic development. With an emphasis on contemporary, fine-art printmaking, they also function as a venue to practice traditional Native American art practices — weaving, bead working and regalia making — of the Plateau region.
The Oregon College of Art and Craft (OCAC) has been a center of community cultural activity in the region since 1907. In that time, the college has contributed significantly to the continuity of contemporary craft as an artistic expression and offers degreed undergraduate and post-graduate programs.
In its nearly 15 year history, First Peoples Fund (FPF) has supported hundreds of artists through business leadership and cultural capital fellowships. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.