The Native Arts and Cultures Foundation proudly supported a series of exhibitions, symposium, and cross-cultural international learning through the support of collaborative film and photography project Ga ni tha, curated by Nancy Marie Mithlo.
Through performance, literature and art, “Saying Our Share: Surviving the Missions”, outlines the tragedy that befell a pre-contact California indigenous population of close to one million people and, over 70 years post contact, reduced it to an estimated 250,000 to 300,000 survivors. This project attempts to educate in a way that engages the public and advances the historical record.
This remarkable program created a fellowship to provide direct support to emerging American Indian, Native Hawaiian, and Alaska Native filmmakers.
Through research, education, advocacy and alliance building, The Cultural Conservancy’s mission is to protect Native lands, document and revitalize endangered songs, stories and traditional knowledge and advocate for the health and well being of indigenous communities.
In its nearly 15 year history, First Peoples Fund (FPF) has supported 100’s of artists through business leadership and cultural capital fellowship programs. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies program.
The Clatsop Community College hosted an exhibit curated by artist Lillian Pitt (Warm Springs, Wasco, Yakama) and instructor Richard Rowland (Native Hawaiian). The exhibit brought a select group of eight Native artists from the Pacific Rim featuring “neo-traditional” works and a related series of events.
Crow’s Shadow Institute of the Arts is a nonprofit organization focused on providing opportunities for Native Americans through artistic development. With an emphasis on contemporary, fine-art printmaking, they also function as a venue to practice traditional Native American art practices — weaving, bead working and regalia making — of the Plateau region.