Emily creates body-based work, illuminating the sensory of every performance. SHORE is third in a trilogy following the Bessie Award performance of “The Thank-you Bar” and then a national tour of “Niicugni.”
Art collective Postcommodity is completing three projects with the publics of the Tohono O’odham, U.S. and Mexico nations exploring experiences along the U.S./Mexico border, including the Tohono O’odham tribal boundaries which pre-date the political border that currently separates communities.
This remarkable program created a fellowship to provide direct support to emerging American Indian, Native Hawaiian, and Alaska Native filmmakers.
Kealoha is the first Poet Laureate of Hawai’i who was honored as a “National Slam Legend” in the 2010 National Poetry Slam. Kealoha was also featured on HBO’s Brave New Voices television series. “The Story of Everything” is a performance creation story based on Native Hawaiian oral traditions and science.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies program.
The Oregon College of Art and Craft (OCAC) has been a center of community cultural activity in the region since 1907. In that time, the college has contributed significantly to the continuity of contemporary craft as an artistic expression and offers degreed undergraduate and post-graduate programs.
In its nearly 15 year history, First Peoples Fund (FPF) has supported hundreds of artists through business leadership and cultural capital fellowships. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.