Building from a renowned lineage of musicians with unique guitar tunings, including his father Gabby Pahinui, slack-key master Cyril Pahinui has developed a distinctive style that is instantly recognizable and imparts an intimate picture of his island home. His soulful baritone voice brings a deeply personal emotion to everything he sings.
In its nearly 15 year history, First Peoples Fund (FPF) has supported 100’s of artists through business leadership and cultural capital fellowship programs. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies program.
The Clatsop Community College hosted an exhibit curated by artist Lillian Pitt (Warm Springs, Wasco, Yakama) and instructor Richard Rowland (Native Hawaiian). The exhibit brought a select group of eight Native artists from the Pacific Rim featuring “neo-traditional” works and a related series of events.
In its nearly 15 year history, First Peoples Fund (FPF) has supported hundreds of artists through business leadership and cultural capital fellowships. These programs not only provide immediate assistance to participating artists, but enable deeper long-term business and community development impacts at the tribal level.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university grounds in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies Program.
PA’I Foundation’s mission is to preserve and perpetuate Hawaiian cultural traditions for future generations, and they have established a cultural center on O’ahu to better serve the broader Hawaiian community. The foundation is among a group that is the driving force behind movements to recover language, cultural traditions, healing practices, voyaging, navigations and agricultural practices of a people in their ancestral land who are now the minority population.
Sundance Institute’s Native American and Indigenous Program supports Native filmmakers across the U.S. and around the world. The Program invites promising Native filmmakers to develop their projects through the mechanisms of support at Sundance Institute, and then return with their work to Native lands to inspire new generations of storytellers.
Funding supported the 10th gathering of ukulele and slack key guitar masters at the Kahilu Theatre and provided a multi-day Institute comprised of eight public performances, four on-site training workshops with over 100 students, and eight youth shows at four schools.
The conference was the very first Native Hawaiian Writers and Literature conference. In addition to the 400+ conference attendees, it attracted over 30 Native Hawaiian published writers who participated in multiple ways including as panelists, performers, workshop presenters and moderators and keynote speakers.
In coordination with regional partners, the conference convened an “arts and the environment” focused symposium at the Emerson Center for the Arts and Culture, in Bozeman, Montana. This special convening brought together key culture bearers and artists of the region and nationally.
Christen Marquez is a young filmmaker working to dispel the “Exotic Other” myths that surround indigenous peoples. “Through the fusion of cultures in my work, I intend to carry the message of non-indigenous and indigenous communities alike, that we refuse to be fossilized,” said Marquez.