This project was a collaborative effort that brought three eminently qualified Navajo potters and culture bearers to teach the art of Navajo pottery making to Navajo Nation potters in the Four Corners Area of New Mexico.
The conference was the very first Native Hawaiian Writers and Literature conference. In addition to the 400+ conference attendees, it attracted over 30 Native Hawaiian published writers who participated in multiple ways including as panelists, performers, workshop presenters and moderators and keynote speakers.
This apprenticeship program invited traditional and contemporary Native artists to collaborate in a master and apprentice training format. NEFA awarded four grants of $5,000 and one grant of $3,000 pairing an experienced master artist with an apprentice for up to one year, establishing a one-on-one learning experience that helps to ensure the continued vitality of Native artists in New England.
In coordination with regional partners, the conference convened an “arts and the environment” focused symposium at the Emerson Center for the Arts and Culture, in Bozeman, Montana. This special convening brought together key culture bearers and artists of the region and nationally.
The Alutiiq Museum is one of the premier cultural centers in Native Alaska. From 2000 to 2013, MacArthur Foundation Fellow Sven Haakanson, while their Executive Director, led efforts at the museum like this project that incorporated traditional Native arts education into the museum’s programs.
The Institute of American Indian Arts (IAIA) is regarded as the foremost Native arts educational institution in the country. It offers four-year degrees in Studio Arts, Visual Communication, Creative Writing and Museum Studies. Funding for the Mescalero Water Tank Project supported an education-based cultural preservation project in which IAIA worked in collaboration with the Mescalero Apache community. The Institute’s staff worked with Apache youth to document nearly forgotten water tanks used by Apache “cowboys” during the area’s mid-20th century heyday of cattle ranching. Known as “cowboy graffiti”, these markings have now been preserved as artifacts.
The Maine Indian Basketmakers Alliance (MIBA) is the premier basketmaking organization on the east coast, functioning as a collective and fostering the preservation of traditional basketmaking practices. In 1993 tribal baskemakers from the four federally recognized tribes in Maine (Maliseet, Mi’kmaq, Passamaquoddy, and Penobscot) realized there were fewer than a dozen weavers younger than the age of 50 statewide amongst a tribal population of 6,000 and decided to create a pathway to teach this traditional art form.