Through performance, literature and art, “Saying Our Share: Surviving the Missions”, outlines the tragedy that befell a pre-contact California indigenous population of close to one million people and, over 70 years post contact, reduced it to an estimated 250,000 to 300,000 survivors. This project attempts to educate in a way that engages the public and advances the historical record.
The Native Arts and Cultures Foundation (NACF) was honored to partner with Wisdom of the Elders’ (WOTE) and support its community collaboration project, the Native Youth Film Academy and Climate Change Film Festival. This project is NACF’s fifth Community Inspiration Program, which are artist-driven projects that address pressing social, cultural and environmental issues to bring about community conversations connecting Native and non-Native people.
This rigorous training program empowers young Native filmmakers while addressing the pressing social issue of climate change; their films documenting elders’ views and responses within tribal communities.
A fusion of talent and energy came together in the sold-out world premiere of The Story of Everything (TSOE) in Honolulu, Hawai`i on September 26, 2015. Kealoha, an award winning spoken word poet and a graduate of MIT with a degree in nuclear physics, led the effort. The theatre, filled with a community of mothers and babies, students, and young adults to elders of all ethnicities and professions, represented the vast diversity of communities Kealoha desires to work among. The performance was the culmination of a lifetime’s work for Kealoha and one of the pilot projects of NACF’s Community Inspiration Program.
Yup’ik dancer and choreographer Emily Johnson galvanized four large urban centers in the country and her hometown of Homer, Alaska, with her multi-disciplinary project SHORE – one of NACF’s Community Inspiration Pilot projects. Story, volunteerism, performance and feasting engaged local communities who were willing to show up and be open to the possibilities.
Through research, education, advocacy and alliance building, The Cultural Conservancy’s mission is to protect Native lands, document and revitalize endangered songs, stories and traditional knowledge and advocate for the health and well being of indigenous communities.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies program.
The Clatsop Community College hosted an exhibit curated by artist Lillian Pitt (Warm Springs, Wasco, Yakama) and instructor Richard Rowland (Native Hawaiian). The exhibit brought a select group of eight Native artists from the Pacific Rim featuring “neo-traditional” works and a related series of events.
The Oregon College of Art and Craft (OCAC) has been a center of community cultural activity in the region since 1907. In that time, the college has contributed significantly to the continuity of contemporary craft as an artistic expression and offers degreed undergraduate and post-graduate programs.
The Longhouse Education and Cultural Center is the only Native facility of its kind on any university grounds in the country. The dream began when Evergreen State College faculty member, Mary Ellen Hillaire of the Lummi tribe, founded the Native American Studies Program.