At Native Arts & Cultures Foundation (NACF), November and December are the months during which we both celebrate Native Heritage Month and look forward to the holiday season…
This year, three Native Arts and Cultures Foundation (NACF), National Artist Fellows have been named the inaugural Western Arts Alliance (WAA), Native Launchpad award recipients. Congratulations to Christopher Kau’i Morgan (2013 – NACF Dance Fellow), Allison Warden (2018 – NACF Music Fellow) and…
Join us for a panel discussion by Native American, Alaska Native and Native Hawaiian visual artists as they present their work addressing the complexities of contemporary Native life and Native identity.
Events are open to the public!
One of the Native Arts and Cultures Foundation’s Community Inspiration Project pilots, “Repellent Fence”, is scheduled to air on prime-time national television Tuesday, April 24, at 8:00 pm Eastern (check local stations here). It will be broadcast as part of the new season of the award winning “America Reframed”.
2017 Mentor Artist Fellow Lani Hotch (Chilkat Indian Village) comes from a long lineage of weavers starting back with her great-great-grandmother. She began weaving with her grandmother and is using her opportunity as a Mentor Fellow to ensure that the tradition is passed on to younger generations.
Stop by our national headquarters on April 6, 2018 to view a unique installation by Cherokee visual artist Brenda Mallory.
NACF 2018 National Artist Fellow and singer/songwriter Kalani Pe’a calls himself a millennial Hawaiian who loves to write Hawaiian music with his own innovative twist.
During National Women’s History Month, please join us in honoring our community of Native Arts and Cultures Foundation women artists and culture bearers.
Filmmaker Shaandiin Tome (Diné) recently completed her year as a Sundance Institute | Native Arts and Cultures Foundation Fellow, a unique opportunity for emerging filmmakers to learn from industry professionals.
Installation and performance artist James Luna has died. Luna, of Puyukitchum, Ipai, and Mexican American Indian descent, passed away on March 4, 2018. While our hearts are heavy with his loss, we remember his relentless spirit and poignant voice as a Native artist.
Please join us in giving a warm welcome to our new Director of National Artist Fellowships, Reuben Tomás Roqueñi!
Congratulations to the 20 artists, representing five disciplines and twelve states, who have been awarded a Native Arts and Cultures Foundation 2018 National Artist Fellowship!
In countries such as New Zealand, Australia, Canada, and among tribal nations in the U.S., it is commonplace, even policy, to open events and gatherings by acknowledging the traditional Indigenous inhabitants of that land. While some individuals and cultural and educational institutions in the United States have adopted this custom, the vast majority have not. Together, we can spark a movement to change that.
The Native Arts and Cultures Foundation is proud to be a partner in #RevolutionOfValues, a day of creative action on April 4th, 2017, the 50th anniversary of Dr. Martin Luther King, Jr.’s powerful speech “Beyond Vietnam: A Time to Break Silence.”
Fifty years later, to walk in his footsteps, to give voice once again to his powerful words, and to kick off a year of efforts by many organizations around the U.S. to remind people of Dr. King’s real message and unfinished work, the U.S. Department of Arts and Culture, the Native Arts and Cultures Foundation, and partners are sponsoring #RevolutionOfValues.
Saturday, March 11, is a proud day for the Native Arts and Cultures Foundation and our 2016 Visual Arts Fellows Brenda Mallory (Cherokee Nation) and Luzene Hill (Eastern Band of Cherokee). The two installation artists open their joint exhibit “Connecting Lines” at the Portland Art Museum bringing unique perspectives on themes of disruption, violence against Native women, survival, renewal and empowerment.
Hill’s “Enate” and Mallory’s “Recurring Chapters in the Book of Inevitable Outcomes” masterfully blend contemporary and past in a multi-layered exploration of history and the resilience and determination to overcome them.
We believe that the Native Arts and Cultures Foundation has a responsibility to support those artists and culture bearers whose voices and actions are championing justice. Our Community Inspiration Projects do just that by providing artists and communities opportunities to address issues of social concern through artmaking. Here are some of the great things that are happening with some of our Community Inspiration Projects:
Through performance, literature and art, “Saying Our Share: Surviving the Missions”, outlines the tragedy that befell a pre-contact California indigenous population of close to one million people and, over 70 years post contact, reduced it to an estimated 250,000 to 300,000 survivors.
Through performance, literature and art, “Saying Our Share: Surviving the Missions”, outlines the tragedy that befell a pre-contact California indigenous population of close to one million people and, over 70 years post contact, reduced it to an estimated 250,000 to 300,000 survivors. This project attempts to educate in a way that engages the public and advances the historical record.
The Native Arts and Cultures Foundation (NACF) was honored to partner with Wisdom of the Elders’ (WOTE) and support its community collaboration project, the Native Youth Film Academy and Climate Change Film Festival. This project is NACF’s fifth Community Inspiration Program, which are artist-driven projects that address pressing social, cultural and environmental issues to bring about community conversations connecting Native and non-Native people.
Oklahoma Native Artists and Tribal Arts & Cultural Organizations Invited to Learn about NEA Opportunities
Elizabeth Woody (Navajo / Warm Springs / Wasco / Yakama, and an enrolled member of the Confederated Tribes of Warm Springs) was named Oregon’s 8th Poet Laureate for a two-year tenure, which she began in May.
Last year the NEA received a record number of nominations of Native artists and awarded three Native artists out of 8 total.
March is “Women’s History Month” in the United States. At the Native Arts and Cultures Foundation, we recognize and honor our women artists and culture bearers that have received fellowships since our inception seven years ago. While we acknowledge them during “Women’s History Month”, we actually cherish and hold them in high regard every month of the year. These remarkable women are always in our thoughts and hearts for their commitment to keeping the arts and cultural expression of Native peoples alive.
After eight years of creative visioning, planning and community engagement Postcommodity’s “Repellent Fence” (or Valla Repelente, in Spanish) goes airborne connecting the lands north and south of what is today the U.S./Mexico border. The installation, which launched October 10th, involved 26 scare-eye balloons tethered to the Sonoran Desert ground, that spanned a two-mile stretch and physically and metaphorically created a direct line of communication between communities and their many stakeholders. Repellent Fence is one of NACF’s Community Inspiration Program Pilot Projects.
A fusion of talent and energy came together in the sold-out world premiere of The Story of Everything (TSOE) in Honolulu, Hawai`i on September 26, 2015. Kealoha, an award winning spoken word poet and a graduate of MIT with a degree in nuclear physics, led the effort. The theatre, filled with a community of mothers and babies, students, and young adults to elders of all ethnicities and professions, represented the vast diversity of communities Kealoha desires to work among. The performance was the culmination of a lifetime’s work for Kealoha and one of the pilot projects of NACF’s Community Inspiration Program.
Yup’ik dancer and choreographer Emily Johnson galvanized four large urban centers in the country and her hometown of Homer, Alaska, with her multi-disciplinary project SHORE – one of NACF’s Community Inspiration Pilot projects. Story, volunteerism, performance and feasting engaged local communities who were willing to show up and be open to the possibilities.
I believe there is a benefit of arts and cultures that has not been written about nor studied enough in more intentional ways, although it has gained value in arts and philanthropic circles in the past few years. This is the value of arts and culture as a social change tool. The head of a social change organization and one of the national proponents of social change and the arts had this to say: “The single most powerful social change tool in the world is arts and creative expression. There is nothing that transcends barriers across language, economics, cultures, and place in a way that engages people and community like arts and cultures can. Nothing (emphasis) is that powerful.”
Native Arts and Cultures Foundation Announces its Distinguished 2015 National Artist Fellowship Awardees
In my lifetime, I have not seen this level of racial discrimination and hatred in our country since the 1960’s and early 1970’s. As a very young girl, too innocent to understand what was going on, but intuitive enough to know that something very wrong was happening, I remember seeing on national television these horrific images of police dogs and fire hoses turned on the demonstrators in Birmingham, the violence at the Pettus Bridge in Selma, and the burning neighborhoods of the Watts riots in Los Angeles. These images from Alabama and California flashed on TV screens across our nation and stayed with me for a long time.
Delina White, 2014 Regional Artist Fellow for the Upper Plains, is going to be busy this fall in five upcoming exhibitions throughout Minnesota. She’s presenting historical to contemporary women’s dress regalia through display and lectures along with meet-the-artist receptions; catch her event if you can. The event is called, “The Great Lakes Native Woodland Skirts” Project. “The project is giving me the opportunity to do what I have always wanted to do – to make beadwork and clothing that focuses on the historical significance of materials that I love and the beautiful way Native people used those materials to adorn themselves to create a culture identifiable as belonging to the woodlands of the Great Lakes region,” says Delina, member of Leech Lake Band of Ojibwe.