This project was a collaborative effort that brought three eminently qualified Navajo potters and culture bearers to teach the art of Navajo pottery making to Navajo Nation potters in the Four Corners Area of New Mexico.
Funding for this project supported an aspect of the June 4-7, 2012 International Conference of Tribal Archives, Libraries, and Museums in Tulsa, Oklahoma and provided professional development opportunities for Native artists.
This apprenticeship program invited traditional and contemporary Native artists to collaborate in a master and apprentice training format. NEFA awarded four grants of $5,000 and one grant of $3,000 pairing an experienced master artist with an apprentice for up to one year, establishing a one-on-one learning experience that helps to ensure the continued vitality of Native artists in New England.
Advanced weavers who are members of the Northwest Native American Basketweavers Association (NNABA) and part-time faculty of Northwest Indian College (NWIC) shared their knowledge and skills with novice and apprentice weavers and one another.
Funding for the project supported a convening of artists, arts administrators, master artists, and culture bearers from the NiiJii communities and across the Woodland region for a 2-day gathering.
In coordination with regional partners, the conference convened an “arts and the environment” focused symposium at the Emerson Center for the Arts and Culture, in Bozeman, Montana. This special convening brought together key culture bearers and artists of the region and nationally.
For more than 90 years, the Southwestern Association for Indian Arts (SWAIA) has been an active Native arts and cultures advocacy organization best known for its planning and staging of the annual Santa Fe Indian Market.
The Acjachemen are representative of the myriad of ethnic groups found along the California coast. The Blas Aguilar Adobe Museum and Acjachemen Center fosters the preservation and continuity of the tribe’s cultural patrimony.
Diné be’ iiná, Inc. (The Navajo Lifeway) works in support of Diné producers and weavers, assisting sheep, goat, and fiber producers in the Navajo Nation with technical and educational information for sustaining economic self-sufficiency.
The Institute of American Indian Arts (IAIA) is regarded as the foremost Native arts educational institution in the country. It offers four-year degrees in Studio Arts, Visual Communication, Creative Writing and Museum Studies. Funding for the Mescalero Water Tank Project supported an education-based cultural preservation project in which IAIA worked in collaboration with the Mescalero Apache community. The Institute’s staff worked with Apache youth to document nearly forgotten water tanks used by Apache “cowboys” during the area’s mid-20th century heyday of cattle ranching. Known as “cowboy graffiti”, these markings have now been preserved as artifacts.
Kua’aina Associates is a cultural preservation organization that supports cultural programming across a network of Native artists and organizations, primarily in the Bay Area in California.
Housed at the Evergreen State College, the Longhouse is one of the foremost Native educational institutions in the country.
The Maine Indian Basketmakers Alliance (MIBA) is the premier basketmaking organization on the east coast, functioning as a collective and fostering the preservation of traditional basketmaking practices. In 1993 tribal baskemakers from the four federally recognized tribes in Maine (Maliseet, Mi’kmaq, Passamaquoddy, and Penobscot) realized there were fewer than a dozen weavers younger than the age of 50 statewide amongst a tribal population of 6,000 and decided to create a pathway to teach this traditional art form.
The Nahahiganseck Language Committee fosters the continuity, revival and integration of the Narragansett language into the community.
From 1999 to 2011, through comprehensive professional development training for Native artist entrepreneurs, First Peoples Fund (FPF) supported over 150 artists.
As one of five public service centers at The Evergreen State College in Olympia, Washington, the “House of Welcome” mission is to promote indigenous arts and cultures. Originally focused exclusively on Pacific Northwest tribal artists, the Longhouse Education and Cultural Center now works on a national and international level with indigenous artists from the Pacific Rim.
The Native Arts program at NEFA supports Native artists in New England and nationally through grantmaking and network development. The program builds regional and national support structures to help Native artists reach broader audiences, connect with new markets for their work, and gain access to financial resources.
Potlatch Fund is a grant-making foundation and leadership development organization serving Native communities in Washington, Oregon, Idaho and Montana.
The Seventh Generation Fund for Indian Development (SGF) is an Indigenous Peoples’ organization founded in 1977 to mobilize resources, develop the capacity of, and strengthen the strategies for the sovereignty of Native communities. The foundation offers an integrated program of advocacy, small grants, training and technical assistance, media experience, leadership development and fiscal management, lending support and extensive expertise to Indigenous grassroots communities.
