April Stone-Dahl is attempting to revive an ancient art form, by learning and teaching Black Ash basket weaving, that no one else in her locale is doing.
Dyani White Hawk’s dynamic multimedia paintings come from an inward inspiration of reflections and contemplations that intrigue, engage and draw viewers into the wonder of her work.
We are saddened to report that Amelia Cornelius walked on in early 2016 after lifetime dedicated to passing on tradition in her family by teaching the next generation how to make traditional Oneida dolls the same way her grandmother taught her.
Brien’s rebar sculptures capture meaningful symbolism of the Native Plains life and may also be a metaphor for the life of a peaceful, humble warrior.
Art curators, students, professors are studying Jim Denomie’s work and more and more are publicizing their learning of the intricacy, satire of his paintings.
Maggie Thompson’s fiber art is relevant as the work draws upon our human emotions and is the core for the narratives that can be found in her textile designs.
Delina White is a mixed-media artist best known for her beadwork and applique pieces for regalia.
Star Wallowing Bull employs colored pencil on paper and acrylic on canvas to explore intersections of American Indian and U.S. pop culture in the 21st Century.
Kevin Pourier, a member of the Oglala Sioux Tribe, has been carving Buffalo horn on the Pine Ridge Indian Reservation in South Dakota for about 20 years.
Jennifer M. Stevens creates Haudenosaunee (Iroquois-Six Nations)-style pottery that is kiln fired and shaped by hand, a practice nearly lost to the next generations due to colonization.
